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Thursday, October 8, 2026
Cloud Club Canada

Game Review: Sleaford Mods' Jason Williamson Assumes Character in Critical Examination at 90s Rave Culture

The work of Portishead co-founder the musician-producer, this sharp-edged though undernourished first film casts a critical gaze on 90s rave culture. Venal pillhead David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to break into his own parents. In no time, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The bigger point – that the rave-era youth were primarily out for number one – is clearly conveyed. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Still, a grimly amusing duel takes hold – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, determined to dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

Just a single key story turn, but it results in a comically executed chaotic run on the forest trails that veers toward folk horror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

The film is in British and Irish cinemas from November 17.

About the author

Larry Smith

A cloud architect and tech writer passionate about simplifying complex cloud concepts for diverse audiences.

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